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Showing posts with label MOVIE. Show all posts
Showing posts with label MOVIE. Show all posts

Thursday, 10 December 2020

Movie: The Crown NETFLIX Series

 




Season 1

The first season of The Crown started in 1947, with George VI (aka the subject of the Oscar-winning film The King's Speech) was ruling England, young Elizabeth was monarch-in-training, and Churchill had just been re-elected Prime Minister.

Six years after George VI triumphant term during World War II had come to an end. The premiere began with Prince Philip Mountbatten of Greece and Denmark renouncing all royal titles so he could marry the heir apparent to the throne of England. But his marriage to Elizabeth would be far from a smooth one, as she would be thrust into her leadership position far sooner than either of them expected upon the untimely death of her father, King George VI in 1952. It charts the beginning of her reign, until 1955.

Season 2

Season 2 of Netflix's incredibly addictive royal drama, The Crown, spanning mid-1950s through to the 1960s. The show gave further insight into Queen Elizabeth II (played by Claire Foy) and Prince Philip's (Matt Smith) relationship as their marriage seemed strained. The second outing also delved into a number of events including the Profumo Affair and the Suez Crisis.

Season 3

The third and fourth series will span the years 1964-77, with series one and two having covered the early years of Queen Elizabeth II’s reign, from 1947-63. 

This season focus less upon Prince Philip and Queen Elizabeth II’s relationship – which became settled after the years of turmoil depicted in season two – and more on the breakdown of the marriage of Princess Margaret and Lord Snowdon.

Season 4

Season 4 The Crown season four covers the period 1977 until 1990, whereas season three was set from 1964 until 1977. Season three of The Crown began with the election of Labour MP Harold Wilson (played by Jason Watkins) as Prime Minister and ended with the Silver Jubilee in February 1977.  

The Crown might as well be called the Diana and Charles Show, given how much screen time is devoted to the royal couple. It's a change of pace for the Netflix series, which follows the reign of Queen Elizabeth II through the 1990s. Queen Elizabeth (played this season by Olivia Colman) is upstaged, at times, by the younger generation of royals.

Friday, 28 December 2018

Movie: Bumblebee

The film opens on Cybertron, a robotic planet that is playing host to an explosive conflict between good robots, the Autobots — and bad robots, the Decepticons.



First thing first when you see this movie, you will notice a difference between “Bumblebee” and the previous “Transformers” movies – the Transformers look like the original toys.
Bumblebee is a good prequel to the main Transformers franchise, Bumblebee returns a soul to the franchise that has been lacking one for some time. As a result, Bumblebee is a fantastic viewing experience for Transformers fans young and old. Bumblebee also works as a good entry point to the series. Bumblebee may not necessarily be a reboot of the Transformers franchise, but if it’s an example of what fans can expect from future movies, then Knight’s film in a new and welcome era of the series that promises even greater success for the Robots.

Just as in the first Transformers film, this version of Bumblebee is unable to speak; it’s Charlie who comes up with the idea of communicating through music. She gives him a tape, which – in a hilarious moment – Bumblebee rejects unceremoniously. The film will presumably use a classic soundtrack to create a period style.
The presence of Sector 7, the secret agency founded by President Hoover in order to monitor alien involvement on Earth. They actually possess both Megatron and the All-Spark, and Transformer technology has been reverse-engineered over the course of the twentieth century to create human machines. Bumblebee will need to tread very carefully here; if the Decepticons realize that human technology is derived from Transformer science, they’ll guess that Megatron, at least, is on Earth. But they shouldn’t really do that until the first Transformers movie, set decades after this.
Optimus Prime is confined to appear in Bumblebee, but it’s likely he’ll just have a cameo. This is just a one-robot show, with a single heroic Autobot striving to protect humanity from the Decepticon menace.
Bumblebee stands alone in the Transformers franchise because it has one thing that none of the previous films have – charm. Hailee Steinfeld is a strong actress and even when given a character like Charlie who really doesn’t have all that much dimensionality, she takes the material and runs well with it. Bumblebee is similarly likeable, and the fact that he has a personality (unlike 99% of the Transformers found in the franchise – yes the Decepticons in Bumblebee included) and a unique “voice” means that the audiences will be rooting for the two to succeed.
When Bumblebee was announced, I had expected more of the same, except what the film turned out to be was a total surprise – not only is it a solidly entertaining action film, it is a very decent coming of age movie as well, actually managing to tug at my heartstrings every now and then. Though it took more than a decade, the Transformers franchise has finally birthed a genuinely good movie, and I believe something more along the lines of what Transformers (cartoon) fans had wanted all along.

Monday, 10 September 2018

Movie: Crazy Rich Asian

Crazy Rich Asians is one of the the Asian-led romantic comedy topping box offices in the USA in 2018.

With a huge cast of veteran actors and newcomers alike, Crazy Rich Asians has been lauded as a first important step in representation on screen.
Gallant Nick Young (British-Malaysian TV host Henry Golding) and NYU Economics Professor, Rachel Chu (“Fresh Off the Boat’s” Constance Wu), are two lovebirds setting out to meet his family in the thriving city-state of Singapore on the occasion of his best friend Colin’s (Australia’s Chris Pang) wedding.
Crazy Rich Asians has focused on the unlikelihood of a big-budget Hollywood production being built around an all-Asian cast, directed by an Asian filmmaker (Jon M. Chu), based on a hit novel by an Asian writer (Kevin Kwan), and aimed largely at Asian audiences, who’ve been served by so many rich global film traditions but far less so in the U.S. over the years. It won’t be long, however, until the story becomes one of how many stars wind up emerging from this film. For one, Wu has been doing solid work for some time now, but here she delivers the kind of radiant, charismatic turn that creates movie stars overnight. Rachel is very much an audience proxy for Chu’s foray into Singapore’s luxurious day and nightlife scenes, and her wonder is quickly replaced by the terror of being thrust into a situation she was left completely unprepared to handle. A lot is asked of Wu throughout the film, and she responds with the kind of genuine magnetism that can’t be feigned by a lesser performer.
“Crazy Rich Asians” gives us a smooth, polished take on Cinderella in a context looking at cultural clashes that reach beyond ethnic similarities. Rachel, a first-generation Chinese-American, speaks Cantonese as well as anyone in Nick’s family, and most of the all-Asian cast speaks a plummy Queen’s English from their days in elite British boarding schools.
But the film’s strongest selling point isn’t that, or its dressed-to-kill costuming or its use of chic locations and appetite-exciting food porn. Its benefit is filtering all those elements through an old Capulets-and-Montagues story line and creating a deft, intelligent charmer as irresistibly fizzy as the champagne its characters quaff round-the-clock. It gives romance the royal treatment.
Main cast in Crazy Rich Asian:
  • Constance Wu as Rachel Chu, Nick’s girlfriend and Kerry’s daughter
  • Henry Golding as Nick Young, Rachel’s boyfriend and Phillip and Eleanor’s son
  • Michelle Yeoh as Eleanor Sung-Young, Nick’s domineering mother and Phillip’s wife
I need to get the novel and  find out how does it go…

Thursday, 7 June 2018

Movie: Jurassic World – Fallen Kingdom

Jurassic World: Fallen Kingdom” is the sequel to “Jurassic World,” Colin Trevorrow’s 2015 reboot of the “Jurassic Park” franchise. Chris Pratt and Bryce Dallas Howard reprise their roles as Owen and Claire, and Jeff Goldblum’s return as Ian Malcolm from the original film.




“These creatures were here before us,” Goldblum says in the new footage. “And if we’re not careful, they’re gonna be here after us.”
Three years after all hell broke loose on little Isla Nublar, a newly active volcano is threatening to consume the surviving dinosaurs there. In America, activists push for a rescue mission: Having brought these species back to life, they argue, mankind owes them some kind of debt. A committee of lawmakers hears from an expert witness, whose advice boils down to “the genie’s out of the bottle, folks,” or, perhaps, “life will find a way.” Yep, that would be Jeff Goldblum’s Dr. Ian Malcolm, whose involvement in the film is limited to just this one bit of testimony — but whose lines may be teasing a bigger role next time around.
The ringleader of the save-the-dinos campaign is someone with plenty of reason to see them re-extincted: Bryce Dallas Howard’s Claire Dearing, who nearly died every five minutes or so during the final hours of the park she used to run. Introducing her character with a shot that begins on her footwear and inches up, Bayona gets a laugh out of Jurassic World’s biggest idiocy: This time around, Claire will leave the high heels in the office and wear sturdy knee boots when it’s time to run through the jungle.
Claire is summoned by gazillionaire Benjamin Lockwood (James Cromwell), who we learn was John Hammond’s partner in reviving extinct species before the latter split off and started the first Jurassic Park. Near death, Lockwood wants to set things right for the animals he helped create: He has located a pristine island that will be suitable as a tourist-free refuge, and wants Claire’s help getting as many animals as possible relocated there before Isla Nublar goes kablooey. Naturally, the mission will need the special talents of Chris Pratt’s Owen Grady, who has been off hand-building a cabin in the mountains since his affair with Claire ran out of steam.

Pratt downplays the cowboy charisma that helped make the human side of Jurassic World tolerable, but Owen remains cocksure enough to set the tone for developments to come: When, after arriving on Isla Nublar, the two realize there’s a plan afoot to steal dinosaurs and sell them for all sorts of nefarious purposes, Claire and Owen must sneak into and sabotage the effort much like Indy did with those Nazi submarines in Raiders of the Lost Ark.
The mass evacuation leads them to a secret dino zoo on the American mainland, where mad scientists are holding that smaller-meaner beastie hinted at in Jurassic World: The Indoraptor, which gets genes from both that film’s Indominus Rex and the nightmare-maker who starred in the series’ first outing and most of its best moments since: the Velociraptor.

(About that auction: The screenwriters don’t seem to grasp the economics of a world ruled by the megarich. When a stainless-steel tchotchke by Jeff Koons can sell for almost $60 million, no auctioneer worth his haughty accent would allow a last-of-its-kind prehistoric monster to go for less than half that. As one baddie brags early on about being able to sell a specimen for $4 million, we snicker and recall Dr. Evil’s underwhelming “one million dollars!” ultimatum. Does he think that’s a lot of money for a dinosaur?)
Working with his usual DP, Oscar Faura, Bayona finds many opportunities to transform action beats into memorably beautiful visions. Trapped on the edge of the dying Isla Nublar, for instance, a magnificent lone animal — what are we supposed to call Brontosauruses these days? — rears on its hind legs as it’s engulfed in smoke and flame. In his many decades onscreen, Godzilla has rarely had such an operatic showcase. And reteaming with editor Bernat Vilaplana (who has worked often with both Bayona and Guillermo del Toro), the director ensures that the enchanting images don’t derail the picture’s intensifying action pace.
While the movie courses seamlessly through different modes, it remains old-fashioned in its treatment of Howard’s character, who mostly screams and runs while Owen gets things done. Claire has grown up a lot since her debut as Jurassic World’s soulless corporate climber, but she remains a damsel in distress who (this time, as last) gets to perform a single far-fetched heroic feat when things are at their most dire.

Fallen Kingdom ends with an act that is just about impossible to believe outside the context of a fiction that, like DNA, is driven solely by the need to replicate itself. This is said to be the second film in a trilogy. But Fallen Kingdom’s closing scenes seem intent on something far bigger, like a Planet of the Apes-style saga that has barely begun. You don’t remake reality in a film’s final frames without intending to milk things for as long as the public will keep buying tickets. If future instalments are this rich and exciting, that’s probably going to be a while.
Perhaps the most frustrating aspect of all is the way the film ends, by clearly telegraphing the setup for the third Jurassic World, which already has a 2021 release date. But this movie crosses certain boundaries in a way that can’t be undone, and if audiences don’t like where things are headed at the end of this film, they aren’t likely to have those concerns addressed in the next instalment.
Production companies: Universal Pictures, Amblin Entertainment
Distributor: Universal
Cast: Chris Pratt, Bryce Dallas Howard, Isabella Sermon, Rafe Spall, Justice Smith, Daniella Pineda, James Cromwell, Toby Jones, Ted Levine, B.D. Wong, Geraldine Chaplin, Jeff Goldblum
Director: J.A. Bayona
Screenwriters: Derek Connolly, Colin Trevorrow
Producers: Frank Marshall, Patrick Crowley, Belen Atienza
Executive producers: Steven Spielberg, Colin Trevorrow
Director of photography: Oscar Faura
Production designer: Andy Nicholson
Costume designer: Sammy Sheldon
Editor: Bernat Vilaplana
Composer: Michael Giacchino
Casting: Nina Gold